This mixed media painting deals with Emma's early years, leading up to her escape from a dictatorial father. It obviously does not take the form of a literal portrait, but rather it contains elements of her early experiences to give an impression of her nature during this time. I wanted to have the water present as a backdrop for this piece, because of what I believe would have been the significance of Magaguadavic Lake in Sarah Emma’s formative years. The image of the book represents an incident that Emma says had a tremendous impact on her when she was about thirteen. A peddler had visited their home, and as it was getting late in the day, Emma’s mother invited the man to stay with them until morning. When he was leaving the next day, as a token of appreciation for the family’s kindness, the peddler gave Emma a novel -- something that her strict Calvinist father would never have allowed had he known about it. The novel was a melodramatic account of a young heroine who disguised herself as a man in order to rescue her lover from pirates. Emma recalled her feelings after reading the novel by saying, “I felt as if an angel had touched me with a live coal from off the altar,” (reminiscent of an account in the Biblical book of Isaiah). “I was emancipated. And I could never again be a slave.” In my composition, the birds flying away from the book and the live coals, represent that emancipation. The water, very dark in the lower portion of the painting, brightens as the birds continue upward in their flight. |

| Sarah Emma Edmonds I: Departure by Amy V. Lindenberger, CPSA |
| View the next painting in the series: Sarah Emma Edmonds II: Transformation/Liberation |

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| Site Map January 13, 2012 |
| Original Artwork Framed size: 26 x 20 Image size: 24 x 18 $1200. Giclée Reproductions 150 Signed & Numbered Limited Editions Image Size: 14 3/4 x 11 Overall Size: 16 x 20 Price: $60.00 |